Profile Stories: Jeff Masangcay from Bata Sole

 

Growing up a first-generation Filipino American in Glendale Heights, Jeff Masangcay had a humble upbringing. His father was a union worker who taught his family the core values of hard work and love.

At 7-years-old his father gifted him a pair of Jordan 6 Carmines, “those shoes made me feel like I was Michael Jordan, made me feel like I could fly, my imagination just blew up with those shoes,” he said. Falling in love with sneakers at such a young age shaped him into the sneakerhead he is today.

Something else Jeff fell in love with at a young age was helping others as his father was a great advocate and volunteer for good causes. Jeff began to follow in his footsteps and began volunteering after his trip in 2012. 

In 2012 Jeff took a life-changing trip alongside his brother Emmanuel Masangcay to the Philippines, where they visited their mother's village Casilagan in the Pangasinan province. While there, they witnessed the poor living conditions of the villagers. 

“You hear all the stories about their lives over there, and they tell us how lucky we are to live here in the United States. I was in shock when we saw their living conditions.” 

On an early morning, instead of waking up to roosters in Casilagan, they woke up to the sounds of basketballs dribbling. They got up and walked over to the park, where they came across over 50 kids playing with a single basketball, and what shocked them the most was that none of them had shoes.

“I was just like, ‘man I got 17 basketballs and 50 pairs of shoes in my garage.’ It gave us a culture shock, and we came up with this idea.”


Between 2012 and 2017, Jeff began to volunteer back in the Chicagoland area at the Special Olympics. In 2017, Jeff founded Bata Sole. Bata, which means kid in Tagalog, the native tongue of the Philippines, is a Chicago-based 501(c)(3) non-profit organization that aims to collect and distribute used and athletic shoes to those in need.

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From Jeff’s initial trip to the Philippines that left him heartbroken and disturbed due to his people's living conditions, he converted those feelings into a motivation factor for change. 

The same year after founding Bata Sole, Jeff and his brother went back to their mother's village and handed out over 1,000 pairs of shoes. 

“I saw kids struggling to put on a sneaker. I asked a mom, 'does he know how to tie his shoes?’ The mom said, ‘no these are his first sneakers.’ He was about 7-years-old.” 

Since 2017, Bata Sole has been working hard and lacing up kids in communities in need across Chicago and in villages in the Philippines. Their team has steadily grown from just two to nine team members who are passionate about what they do day to day.

“Bata to me as a whole isn’t just an organization, it’s a movement. Something about empowering and helping others brings such a great feeling. What I can say, though, is we are just scratching the surface of what this team is going to accomplish.” 

Zach Chacon

 Bata Sole Media Team Member

In a few short years, they have managed to team up with many sponsors and teams such as RESHOEVN8R. All while giving back to various communities across the Chicagoland area and managed to organize two separate trips to give out shoes in the Philippines. Bata Sole has put smiles on over 5,000 kids and counting.  

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Behind The Shot: @johnparkerbach

 

John Parker Bach shared with us two of his favorite shots taken in the world of sports.

Bastian Schweinsteiger shot on a Canon 1DXMKII with a Ronin-S.

Bastian Schweinsteiger shot on a Canon 1DXMKII with a Ronin-S.

As a videographer in Chicago, I frequently partner with the Chicago Fire to help their content team produce social media assets. I was fortunate to film Bastian Schweinsteiger's last game for the Chicago Fire. For those who aren't around the sport, Bastian is a world cup champion and has an incredible professional career with Bayern Munich, the German national team, and, most recently, the Chicago Fire. This shot came right after the captain's handshake, and I trailed Bastian as he walked to the bench to give a pregame speech.

NBA Kicks Booth at ASG 2020 shot with a robotic camera mounted with a Canon 5D Mark IV and a Canon 16-35 lens.

NBA Kicks Booth at ASG 2020 shot with a robotic camera mounted with a Canon 5D Mark IV and a Canon 16-35 lens.

“I was fortunate enough to be able to partner with Freshtape Media and NBA Kicks during All-Star Weekend to edit on-set of the NBA Kicks Booth. The weekend itself was amazing. I had my camera in hand the entire time, captured images of the best players in the world. It truly felt like a dream. For me, it was one of those moments that felt like I made it.”

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John Parker Bach

is the Creative Director at a social media agency based in Chicago, Doola Creative Shop. He's directed, edited, and shot with brands and companies such as; Best Western, Chicago Fire, NBA, Nike, Jordan, Adidas, Shoreline Hotels, Leopardo Construction and many more.

"My goal throughout life is to inspire, uplift, and positively impact as many people as I can."

 

Profile Stories: Chris "Milly" Ousley

 
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The career of professional boxer Chris “Milly” Ousley native of the Southside of Chicago began during his early 20’s, not a common starting point for someone who wants to pursue a career in boxing. Yet, he managed to beat the odds as he remains undefeated inside and outside the ring. 

Growing up in Back of The Yards alongside his brother and mother, Chris had to step up and be the man of the house. As his father was locked up serving federal time because of drug charges.

“I made a better situation of how I grew up. I did things everybody said I couldn’t going against the system doing things the statistics said we couldn't do. That's what I really pride myself on.”

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After visiting Vegas in 2013 days before the Canelo Alvarez vs. Floyd Mayweather match, the ambiance in the city leading up to the big fight inspired him to become a boxer. 

When he returned home, he talked with his wife regarding the next steps in his career. It was either play professional football, which he knew he wasn’t great at or use his business degree. Instead, he decided to pursue a career in boxing.

“I told my wife, ‘you know what I wanna be a boxer.’ I went to a boxing gym, and within 18 months, I won a national championship, and I was in the Olympic trials.”

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Chris came out of nowhere and began to make a name for himself without management or a coach. Within three months of training, he had his first amateur fight and won by a first-round knockout. 

His pro career kicked off in 2016, still without management or a promotion team. Chis reached out to Golden Boy Promotions and politely rejected him by telling him they were going to keep tabs on him. Chris began to make a name for himself, and other promoters began to take notice. 

The tables turned, and Chris received the call he was waiting on from Golden Boy Promotions in 2019 a few years after being rejected by them.  

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“I met with the VP of Golden Boy Promotions Robert Diaz, they had a contract for me within 24 hours, and the rest was history.”

Till this day, Chris is still unmanaged and does everything in house alongside his wife, who has a masters in business. Although he lacks management, which is unheard of in the boxing world, the people on his team keep him strong and determined.

“Chris is a great guy, second to none. He thinks boxing 24/7. He’s gonna leave [the gym] take a 4-mile run. He's just like clockwork trying to perfect his craft he knows where his work ethic and talents can take him.”

Kelvin Hayden 

Super Bowl Champion

His determination to his career is unheard of. A day in his life revolves around working out and training as he wants to be one of the greatest ever to do it. Chris does not smoke or drink; he has been clean his entire life. 

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“I don’t think anyone works harder than him. Nobody outworks him inside the gym. He’s a demon he puts together these circuits; they are not for the faint of heart. Outside the gym, he’s a super cool super humble, loves his dog and loves his wife. You rarely run into somebody like him who’s super focused. He don’t party, he don’t drink, it's crazy, no bs.”

Dontae “Big Tank” Pettigrew

Chris is actively working on becoming a world champion. “I’m fighting to be great,” said Chris with confidence in his voice. He is not fighting for money or fame. He wants to be remembered as a humble guy who was the best to ever do it.

"Don't let anyone hold you back. I wasn't built to be a boxer; I became a boxer. I built myself. I wasn't groomed as a child to be a boxer. Look at how much I accomplished within a short amount of time."

Chris was scheduled to fight on March 28 at the Staples Center, but COVID-19 put that on hold. There's word of an upcoming fight happening sometime next month.

Follow his Instagram for updates @chrismily

 

Behind The Shot: @codymadsen

 

Award-winning cinematographer & producer from Chicago, Cody Madsen came by and shared with us three of his favorite projects.

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“Through word of mouth, some people contacted me and said, ‘hey, we’re building a basketball court in a church and want to tell a story about basketball in Chicago while being symbolic and cinematic.’ So I said, ‘ok, cool.’ I sat down and brainstormed. The idea was since there’s so much violence in the city, there’s no safe haven. The theme came from Tupac’s, “Thugs Mansion” where its a place you can go in your mind and the church looks so surreal so beautiful inside, and it didn’t seem real it almost seemed like it was heaven in a way, so there’s a lot of symbolism in the way we came up with the concept. 

The city is very gritty, grimy, and dirty; this kid's escape is looking for a court to climb out of a shitty situation. He closes his eyes and opens them, and he’s in the church. The way we kind of shot it too was very gritty and grimy and shaky early on, and then when he gets in the church, it's on a steady cam, it flows smoother.

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For the kid in the video, we went into his real house to shoot part of the commercial. He kind of lives in a bad situation; it was perfect for the story, plus he was so good at basketball. It primarily was a three-day shoot, but we had to do two days because the night before bullets went through his front window. His mother didn’t want any attention being brought to their house, so we had to wait till things cooled off. So we had to convince his mom about how it would be a good opportunity, and it's going to be a beautiful piece. 

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I remember pulling up and it being kind of hectic for me to see this and thinking how this kid goes home every night and passes through this every day. It was eye-opening for me, that's why it's one of my favorites. One because it was shot so beautifully in the church and also getting to tell this kids story.”

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“I got into sports through skateboarding. It's always been my main passion. It’s how I got into film and that's why I love this clip so much. Growing up, my best friend Chaz Ortiz became a pro skateboarder, one of the best in the world.

Anytime I work with Chaz, it doesn’t feel like work, it feels natural. This was last summer he had this idea to hit this rail, so we did it. We had shot it the previous year for a Zoo York project where he back 50’d the rail and it's a huge rail so it’s very scary. 

The next summer, he was like how do I step it up, ‘I always wanted to feeble it.’ Which was kinda crazy because when you feeble it, your front truck has to dip down, and the rail here doesn’t come to an end, so he has to actually pop out over it. 

There's so much that can go wrong. I remember how scared he was. To clear that and land it, it's insane it takes an extreme amount of talent, precision and athleticism. 

In cinematography or filming, if its production, you could always say give me one more take. In skateboarding, there’s no more one more take, if I mess up that’s on me. There's a high level of stress that comes when filming this level of skateboarding. 

Shooting with Chaz for a long time, I know his mentality and how he goes through things. I know how he functions and how he acts when he’s going to do something when he’s not. I know when to hit record and when to not. 

He went for the feeble the first time, and he jumped off, and he could’ve landed it. The next one, his truck slips off, and I remember him being so scared you could see the rail spark. The adrenaline was rolling, and he eventually landed it. It was one of the coolest moments I've shot recently for skateboarding.”

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“When I was working for the Bulls, they would always do something over the top and extravagant for their holiday card. One year it can be an animation with a Christmas jingle type vibe, we’ve done so many I can write a list for you. 

But for this one, Josh Kahn had this idea where he brings in a live orchestra to play Christmas jingles while the team scrimmaged around them. It was off the wall, no one had access to do what we could do. No one saw live practices, let alone bringing in 100 kids playing instruments around it. 

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I shot this on a skateboard. I remember we had a ronin, and we threw a camera on it that’s steady enough, but they were like now do that on skateboard around NBA players. I remember the whole time I was freaking out if I was to fall, I could hurt a player. It had to be done in a five-minute take, and I remember being really tired after this one, on a board holding a 60lb set up rolling around trying to navigate through kids playing instruments and million-dollar athletes.

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Whole-time I was telling myself, ‘whatever you do, don’t hit a player.’ I remember this one moment, it was the year when Derrick Rose had just come back from recovering from his injuries. I was scared to even possibly hit him, and out of all the people on the court, Derrick stepped out of bounds where I was going, and I’m not kidding you I was a foot away from clipping his ankle.

No one was harmed. The players had a great time. The video concept was very cool and creative; a lot of people enjoyed it. Creatively it's one of my favorite pieces because of the circumstances.”

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Cody Madsen

is an award-winning Cinematographer & Producer from Chicago, IL. Cody's career includes shooting Commercial & Social Campaigns for major brands like Nike, Reebok, Jordan Brand, and Infiniti amongst many more. He spent 6 Seasons with the Chicago Bulls as a Producer where he earned multiple Clio, Emmy, Telly, and Sports Business Journal awards. Cody also creates Social Media Content for Professional Athletes and Musicians as well as continuing to expand craft in other aspects of Film making such as Music, Documentary, and Fiction Film.

 

Behind The Shot: @ap.mov

 
 

On Friday Jan. 21, We spoke to Alex Peterson better known on Instagram as @ap.mov and shared with us the story behind three of his favorite shots.

“It was just about a month ago. I wanted to get shots of the fireworks at midnight. I have the DJI Mavic Air, so the battery lasts ten minutes, maybe. So I was trying to be super strategic of when I was going to put it up to not miss the fireworks. I was sitting around waiting for the right moment to put it up. I took the drone flew it around for about six minutes and then I grabbed a couple of more shots. Probably eight minutes into it I had like two minutes of battery I started flying it back and I lost transmission on the drone.

My screen went black and so I lost reception of the drone and I started running towards the direction I thought the drone was. The battery was about to die so it started landing on its own and I didn’t want it to go down by where the crowd was. I looked at my screen it was still black and I’m like holding the stick to pull it back towards me. Next thing you know I look at the screen and it seems to be stuck on a tree. I can see the branches on the camera I was like, ‘shit there’s no way I’m gonna get this footage.’ So I was in this panic trying to find the drone. 

I can see the camera kinda tweaking out and I see this guard standing by a fence. It’s in China so nobody is really speaking any English. Theres military guys pretty much everywhere at this festival. So I go over to this fence and I point at the controller trying to get this guy to understand what I was trying to do. So I was like, ‘can I hop this fence?’ While pointing at the fence, he’s like, ‘no no no.’ Finally I convinced him to let me hop this fence. So I was pacing back and forth alongside the trees and I see the screen and the drone like falls from a tree onto the ground.

Then I see the camera started moving again so I thought someone picked it up. So I walked down another 20 feet and I asked people by pointing at the camera if they had seen the drone. This kid found me and saw I was freaking out and pointed the other direction so I ran back and there’s a group of about six military guys huddled in a circle. I went up to them and I was pointing at the thing and they all look at me. One of the guys turns around he was holding my drone. I was so relived but freaked out at the same time. I’m either gonna get arrested right now and end up in a Chinese jail. I got it back and its like the sickest story ever.”

“This was a drone shot in Bali I think it was May 2018. I went on this workshop with Jeremiah Davis and Jacob Riglin. So I went out there for two weeks. We went to Nusa Penida its like this huge cliff which overlooks the ocean. It's the craziest spot ever, it has these stairs that go all the way down the cliff about 500 steps. Super sketchy, just like pic axed steps that go to the beach. So Jeremiah the dude that was leading the video part of the workshop was like, ‘Yo run down this cliff and ima get a drone shot of you.’ So he was like, ‘ok on three just sprint down the cliff.’ I did it four or five times and the last time I did it I was sprinting full speed. Right at the end I tripped up on this rock and slid. I was so close to just sliding through the dirt and off the edge of the cliff. You can barely see it on the drone shot. Till this day it's one of the sickest drone shots ever.”

“This was at Rolling Loud New York 2019 it was for MGK’s set. This was the first time I saw him live. I was a bit skeptical because I was never super into MGK’s music but once I saw him live I totally gained a new respect for him. He’s a rockstar honestly, he plays the guitar, plays the drums, he just kills it on stage. At the end if his set he climbed up the scaffolding of the stage which was like 70 feet up. He looped his legs through the scaffold and hung from up there. He also stood up there, had he fallen he would died for sure it was so high up. I was on stage when it happened so I kinda got a shot of him climbing up the thing and then I was like, ‘I need to get a super wide shot of this to show how crazy high up there he was.’ Probably one of the craziest shots I’ve gotten at Rolling Loud.”

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Alex Peterson is a Wisconsin native who moved to Chicago three years ago. He attends Loyola University where he studies creative advertising. He got his start into photography and videography by shooting nightlife at clubs such as Prysm. Today, he is currently part of the Rolling Loud media team. He earned his spot on the team by creating recap edits with a fast turnaround time. Alex is now responsible for editing all of the Rolling Loud Aftermovies.

 

Profile Stories: Sprado

 
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Sprado’s love for music began at the age of seven in his South Holland home. Where his father who produced had an in home studio. His father would usually spend time there producing alongside his friends while drinking and smoking. Sprado quickly began to take interest in the sounds his father was creating.

“He didn’t let me into his studio sessions because they was smoking and drinking. I use to sit by the door smelling the smoke come out the room and everything. I had to listen to the music it was captivating me.”

His love for music wasn’t only influenced by his father but his mother as well. He grew up listening to Michael Jackson as his mother would play it around the house. 

“I was always around the house cleaning listening to music. So as soon as he could talk and move around he began to dance to the songs I would play. He would reenact some of the Michael Jackson dance moves get up on the table and throw a show for us.”

Sprado’s Mother.

In 2017 Sprado locked himself in the basement and began to work on his first project titled, “New Me.” His father played a crucial role in the development of Sprado’s sound. He’d show his father the music and he would be brutally honest with him and let him know if it was good or not. 

“He would tell me, ’nah that ain't it.’ It made me determined to get better at my craft. I was locked in the basement just trying to create 'New Me’”

His debut project dropped in April 2018. From there on, the grind never stopped for Sprado. He began to go to showcases where he ultimately began to make a name for himself. 

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The song “Wrist Work” off his debut project caught the attention of Jeremih’s DJ TTaylor. He personally invited him out to a showcase and from there the rest is history. TTaylor became his manager in 2019 and that same year they began to work on his second project which is titled, “Bases Loaded.” 

Sprado went from grinding in his basement to working with Jeremih on his second project in which he featured Jeremih on the track, “American Dream.”

“I always listened to his music. Meeting him was just surreal. He's a legend in the game.”

From recording “New Me” with a snowball microphone in his basement to recording “Bases Loaded” at state of the art studios, a lot had changed for Sprado. His second project was released in September 2019.

The title of his second project is a baseball metaphor which signifies his success. He’s going to hit a home run and bring everyone home to prosperity. 

“I’ve spoken everything into existence. Things are going by fast but I'm still anxious to reach another level. I know I gotta relax, be patient and keep grinding.”

For Sprado music is a huge part of his life, even before he chose to pursue music as his career. He said to always be searching for music that would always get him pumped and motivated. Now that he creates music himself the first thing that crosses his mind each morning is music.

“Music is everything a big part of everybody’s lives, it helps us get through the day.”

Sprado has been working on music videos for “Bases Loaded” with various directors around Chicago. His first music video off that project was for “Cut The Grass” and was directed by Diamond Visuals. Most recently he released a video for “Shorty” that was directed by LAKESHOREHY.

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“Working with Sprado is dope. He’s an open minded person which definitely helps my creative process when writing treatments. We currently have two videos together and both are some of my best work yet. 2020 you’ll definitely be seeing the name Sprado more often.”

Diamond Visuals

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Beyond dropping visuals for “Bases Loaded” he is working on his next project. It is currently untitled but a name will come and it is expected to be released this year. Alongside his manager TTaylor he’s working on Sprado Live Two which is a concert he headlines while bringing out local talent in the hip-hop/rap scene.  

“Nothing has changed, well my growth has changed and my grind will forever be my grind. You can still find me locked in the studio.”

 

Behind The Shot: @zoerainphoto

 

While in quarantine due to COVID-19, Zoe Rain shared with us two of her favorite shots and the story behind them. 

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“This photo was taken in Los Angeles, in the basement of the Palace Theater. After months on the road performing across the entire US, everyone started to feel a little stir crazy. I have been touring with Macklemore for years, and sometimes he gets in this crazy mood where all he wants to do is play. This day, boredom led us to explore this hidden basement, which has become the dumping grounds for thousands of broadway props left behind. This elephant immediately stood out as an impressive and unique statue and Ben (Macklemore) immediately climbed on top of it. There are a plethora of poses and photos from this excursion, but this one stood out with its inherent wackiness and strange setting-color palette.”

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“Being on tour is such a wild experience, because it isn’t what people expect. There are extremes; either it’s loud and exciting, or it’s slow and still. This image was taken around 2012, when I first started traveling with Macklemore to small shows on the West Coast. We were in Portland and this evening premiered a full stage of artists who featured on his newest album [at the time.] 

This moment in the mirror captures the stillness in the greenroom right before Ben goes onstage. It’s such a powerful image, because it reflects so much about his story. Raw, alone in his greenroom, basking in light, a strong silhouette defines a heroic build and stature. Clothes for outfit changes hang to the left. He confronts the man in the mirror with an exhale, giving off an expression filled with nervous energy.”

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Cutting her teeth as Macklemore’s full-time tour photographer, Zoe has since worked with some of the world’s largest artists: Chance The Rapper, Ed Sheeran, Kesha and Vic Mensa.

Zoe’s evocative and intimate style gained quick notoriety. Her work has been featured in publications such as Rolling Stone Magazine, Vanity Fair, MTV and The New York Times. Zoe’s high-impact photography and creative direction has been leveraged by brands such as Nike, Apple, Wolverine Boots, Swisher Sweets, Headspace and Redbull.

Controlled under pressure, Zoe’s ease and adaptability constructs effective, iconically defining imagery.

 

Profile Stories: Afrokilla

 
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Ever since Keith Allen Smith was a child he loved to draw. His mother recalls him being two-years-old and drawing on walls with crayons. Originally from Los Angeles, Keith [at the age of 5] and his family moved to Iowa. 

Their move to Iowa was due to his parents splitting up. Throughout his childhood his father began sending him letters from a distance. His father would receive pictures of his children and he’d send back a perfect sketch of them. 

This began to inspire Keith to pursue art on a deeper level. At a young age all he wanted to do was draw. When he was 11-years-old he entered a fire prevention poster contest, which he won third.

“Ever since then I wanted to do art for real. I just started drawing my friends I would just draw everything. I would just draw draw draw.”

Keith went on to pursue a higher education and moved to Chicago, where he went on to attend the Illinois Institute of Art to study graphic design. He eventually ended up working as a graphic designer but disliked it, although he learned to have fun with it. 

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Keith always found a niche in skateboarding. Since both graffiti and skate culture are closely knit, he found himself amongst graffiti artists. Although, at the time graffiti didn’t interest him, he wasn’t far from it becoming his passion. During that time he also became affiliated with the crew over at Uprise Skateshop

Unfortunately for him, he wasn’t able to become part of the team. In order to break the barrier and become closer to them, he created a series of ads called “The Streets are our Jungle” which he wheat pasted all round the city. 

“I did it without them knowing and then I showed them. ‘Hey I did this for a graphic design project hope you don’t mind.' They thought it was awesome and they were hyped about it. I go off the Banksy shit where its like, ‘it’s always easier to get  forgiveness than permission.’”

This sparked an interest in Keith, as he begun to dive deep into street art. Throughout college he began to wheat paste posters alongside creating custom skate decks. At some point he began to drill the custom skate decks on to wooden panels throughout the city. 

During this time he looked up to graffiti artist such as “Sentrock” and “JC Rivera.” Alongside Matthew Hoffman [custodian of You Are Beautiful.] Keith ended up working for Matthew and learned a lot from. 

“He gave me my first set of spray paint cans. I was finding gigs because I was associated with him.”

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During the two and half years Keith worked as an assistant to Hoffman, he developed his personal brand “Afrokilla,” which is what he is now known as. 

“I was building my thing up and working full-time for Matthew, it was grind central.”

In 2017 he quit his job and went all in on his artistry. That same year he hosted his first solo gallery at Grassroots Chicago

“My number one inspirational street artist to this date Jeff Zimmerman came. I didn’t even meet him before and he came to my show. I was like, ‘dude are you Jeff Zimmerman? Why are you here?’”

June of that year he was commissioned by Chicago Segway Tour to do work on the open space at Navy Pier. From there on the rest is history, as he began to make a name for himself as Afrokilla. Instead of looking up to his idols, he now competes against them in Secret Walls: Paint Battles. 

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You can now find Keith’s work all around the city of Chicago. He has made a name for himself and has earned respect amongst the art community. 

“Keith is constantly creating and growing as an artist. One of the brightest and most humble creatives I have met and worked with. Also, his growth as an artist is insane. His work ethic and dedication to art is unmatched.”

Marco Miller 

Fine Artist, Producer and Fabricator.

Keith has many commissioned murals and paintings around Chicago in places such as the Riverwalk or Google’s office in Fulton Market. His art is not only now nation wide, but worldwide since he had the opportunity to paint a restaurant in Greece.

This year he plans on continuing to grow as Afrokilla and having his art pop-up at major music festivals across the country. Another project he will be working on is a clothing capsule collection. One of his biggest projects thus far will begin this summer, this mural will be his biggest to date and will be visible from one of the main interstates that passes through Chicago. 

 

Verizon 5G Lab Brings the Creative Community Together

 
Photo by @raddezzz

Photo by @raddezzz

The Verizon Wireless 5G Lab held a private event for Instagram influencers and YouTube creators at their Michigan Avenue flagship store on Thursday, Feb. 14 during NBA All-Star weekend. 

The event consisted of music, food and drinks. As well as a unique unveiling of the latest 5G technology from Verizon’s Tech Lab.

Fellow NBA players such as Coby White, Tyler Herro and Ben Simmons joined the fun. All while interacting with the creatives and diving into in the latest AR/VR technology that is now faster than ever because of 5G.  

Photo by @raddezzz

Photo by @raddezzz

At the event Verizon representatives unveiled how 5G will change the game for creatives and allow them to be ahead of their game. With ultra-fast speeds and ultra-low-latency all in the palm of their hands.

Here is what some of the creatives had to say…

“The event turn out was amazing I was pleasantly surprised that so many of my friends in the creative community in Chicago were here. It was a nice reunion catching up with a lot of friends I hadn't seen in a while.”

Tobi Shinobi

Senior Content Creator at HAVAS

“I was excited to try out what 5G has to offer. I think 5G is awesome its gonna allow me to upload my  content a lot faster and put me ahead of the game.”

Kimmy Sou

Blogger

“It’s awesome I met Ben Simmons and took a portrait of him. While taking the photo I said, ‘let’s go Knicks’ and he got really butt hurt, it was fantastic I’ll do it again.”

Kingy Kings 

Founder of Game of Tones & Portrait Games

“Verizon is one of our biggest clients and one of the things that we do is put experiences like this one together. Their launching the 5G lab here in Chicago. So we brought the creative community together and it being All-Star weekend it was important to bring the creative, sports-minded and general cultural lifestyle communities together.”

Brian Willette

Creative Director for OM Media Group